Monday, July 1, 2013
Sunday, May 26, 2013
Sunday, May 19, 2013
Thursday, May 16, 2013
Κείμενο Robert Smithson
Υπάρχουν φωτοαντίγραφα του κειμένου στον πρώτο όροφο στις φωτοτυπίες και μπορείτε να το παίρνετε από εκεί.
Wednesday, May 8, 2013
Friday, May 3, 2013
Tuesday, April 30, 2013
Monday, April 22, 2013
Friday, April 19, 2013
I will be happy to see you at "Le Potage De Madame Zazouf" by Pati Hertling on Sunday April 21st, 7pm on 481 Broadway #4, NY with Cara Benedetto, Whitney Claflin, Diego Singh and myself. There is going to be cous-cous and lots of wine.
Yours ,G
Space Is Not Territory
Now that some have found a way to territorialize their concept of 'fight' with the hectic maneuvering of a closed group, and call social space the property of a door that allows them to determine who is in and who is out. Now that the only concern remains the never-ending search for new issues and new topics of investigation creating an eternal state of non-action; the question is if there comes a time when territories are created only to be immediately deterritorialized and reterritorialized, and if there will be moments where space expands beyond the determination of a life-style.
As if we talk too much but we don't do much.
We talk about life, our own life, and how to organize with others, and the talking somehow always starts with the question of the value of our own life but not with the question of how the decision to live our life can change others’ way of living.
Can life be livable?
One’s decision to live is not at issue here or even the starting point of this text. I would rather bring attention to the ambitious drive of inhabiting a space for it to become livable, through unpredictable ways of being, using, resourcing, and varieties of gatherings, all hubs without having to incorporate the Cartesian duality of an inside and outside.
Can we get unconcerned with the out or in?
Walking on the same street with others next to us doesn't make us listen to them. To find a place to gather doesn't mean we found each other. It is as if our relationship we foster with history is merely accumulative, and that this suffices in a city that legitimizes any action, but if legitimization is actually chained to specific action, then all we have is absence. A formulaic distancing is occurring that is nothing else but a mere coincidence. Very selectively we have studied the struggles of others, and we seek to find refuge in the generic specificity of a history of images, opinions and comments by ignoring to consider the significance of experiences, our own experiences and how to talk about them. Isn't it the discourse with others that creates language? How can we create language when we communicate our thoughts only based on what is already written and what we have already seen? Why do we always assume that every time we talk we communicate language or make something visible? The denial of the vulnerability of speech is the very process to pacification. The continuation of conferences, events, and screenings within the institutional frameworks and under the conditions we are opposed to but insist not to speak out against is part of a process of social mutation. To be the constant spectators of the history we create is the most painful of all. Is this a form of self-policing?
Is form self-policing?
To walk and be conscious of others walking with you and to do moments of living is resistance. Action is when bodies self-govern to be present and to communicate, sliding beyond the urgencies to either create or to be allowed to use fixated territories in totalitarian capitalism. When we act in disregard of any feeling of professional responsibility or entitlement, ignoring the predetermined sense of knowing the one and only truth, then we meet, and then we talk, and then we have space.
Georgia Sagri
New York, Spring, 2013
For Cara Benedetto, Diego Singh, Whitney Claflin and Pati Hertling at "Le Potage de Madame Zazouf".
Tuesday, April 16, 2013
Τζόρτζιο Αγκάμπεν: Βιοπολιτική και κατάσταση εξαίρεσης
Τζόρτζιο Αγκάμπεν: Βιοπολιτική και κατάσταση εξαίρεσης
Συνέντευξη στην ΕΤ3 (σειρά “Τόποι ζωής, τόποι ιδεών” του Γιώργου Κεραμιδιώτη), μετάφραση: Άκη Γαβριηλίδης.
http://efimeridadrasi.blogspot.gr/2012/08/blog-post_24.html
και εδώ:
http://nomadicuniversality.wordpress.com/2012/08/15/%CE%B1%CE%B3%CE%BA%CE%AC%CE%BC%CF%80%CE%B5%CE%BD-%CE%B7-%CF%83%CF%85%CE%BD%CE%AD%CE%BD%CF%84%CE%B5%CF%85%CE%BE%CE%B7-%CF%83%CF%84%CE%B7%CE%BD-%CE%B5%CF%843-%CF%80%CE%BB%CE%AE%CF%81%CE%B5%CF%82/
Συνέντευξη στην ΕΤ3 (σειρά “Τόποι ζωής, τόποι ιδεών” του Γιώργου Κεραμιδιώτη), μετάφραση: Άκη Γαβριηλίδης.
http://efimeridadrasi.blogspot.gr/2012/08/blog-post_24.html
και εδώ:
http://nomadicuniversality.wordpress.com/2012/08/15/%CE%B1%CE%B3%CE%BA%CE%AC%CE%BC%CF%80%CE%B5%CE%BD-%CE%B7-%CF%83%CF%85%CE%BD%CE%AD%CE%BD%CF%84%CE%B5%CF%85%CE%BE%CE%B7-%CF%83%CF%84%CE%B7%CE%BD-%CE%B5%CF%843-%CF%80%CE%BB%CE%AE%CF%81%CE%B5%CF%82/
ολόκληρη η εκπομπή της ΕΤ3 εδώ:
http://www.youtube.com/watch?v=No1JTntYsJw
http://www.youtube.com/watch?v=No1JTntYsJw
Monday, April 15, 2013
Friday, April 12, 2013
Tuesday, April 9, 2013
Monday, April 1, 2013
Εκφώνηση_ΙΙΙ
Επιπλέον υλικό από ιταλική νεοπρωτοπορία (δεκαετία 1960-1970)
Ομάδες UFO και Strum
City actions, Social activism & Low popular culture
Για τα "Fotoromanzi” (pamphlets feature fictional articles on issues of architecture) της Ομάδας Strum βλ. (και τα 3 τεύχη σε pdf)
 |
| UFO Giro d’Italia allo “Space–Electronic” “Nuovo uomo di Leonardo”-Lavoro sul lavoro, 1970-76 |
 |
| UFO Effimero urbano n. 6, 1968, Firenze, Piazza Duomo |
 |
| Gruppo Strum, Pietro Derossi, Giorgio Ceretti,Piper Pluriclub, Torino 1966 La discoteca |
UFO Group. Superurbeffimero n. 7 Umberto Eco’s Semiologia and the Architectural Rituals of the U.F.O
Εκφώνηση_ΙΙ
1. Yorgos Sapountzis, Deus ex Machina, Copenhagen Art Festival
On the ocassion of Copenhagen Art Festival Overgaden presents a solo exhibition by the Greek artist Yorgos Sapountzis. Sapountzis creates a colourful total installation specifically for Overgaden’s exhibition spaces. Sapountzisexamines the political, ideological and cultural mechanisms that underlie the construction of public monuments, and especially our relationship with them today. By highlighting the monuments’ physical presence here and now, rather than the historical context in which they are embedded, he challenges the notion of a static collective memory. Yorgos Sapountzis is educated from the School of Fine Arts in Athens and the University of the Arts in Berlin. Recent solo exhibitions include Isabella Bortolozzi Galerie, Berlin, 2011, Simone Subal Gallery, New York, 2011, Ursula Blickle Foundation, Kraichtal, 2012 (current), and Westfälische Foundation, Münster (opening June 2012). Yorgos Sapountzis is based in Berlin.
http://vimeo.com/48589005
Έργα και performances σε δημόσιους χώρους από Galerie Isabella Bortolozzi, Berlin
στο http://www.freymondguth.com/YSapo.html
και άλλοι καλλιτέχνες (βλ.)
2. Επίσης: Michael Hardt, Affective Labour
http://www.jequ.org/files/affective-labor.pdf
3. Pascal Gielen, The Biennale: A Post-Institution for Immaterial Labourhttp://classic.skor.nl/4113/en/pascal-gielen-the-biennale-a-post-institution-for
4. TRAVAIL WORK, PARACHUTE 122, Abstracts(Ειδικότερα το κείμενο του Lazzarato)
http://www.parachute.ca/public/+100/122.htm
5. Maurizio Lazzarato The Misfortunes of the “Artistic Critique and of Cultural Employment, transversal [online journal], January 2007,
available at http://eipcp.net/transversal/0207/lazzarato/en
6. Α. Vidokle, Art without Work, e-flux journal #29, 2011
http://www.e-flux.com/journal/art-without-work/
7. Τα βιβλία των Paolo Virno, Η γραμματική του πλήθους,Αλεξάνδρεια, 2007
και Antonio Negri, Michael Hardt, Πλήθος, Αλεξάνδρεια, 2011
και Jacques Rancière, Ο μερισμός του αισθητού, Εκδόσεις του Εικοστού Πρώτου, 2012
και Μαρία Παπαδημητρίου, ΤΑΜA, Hellenic Ministry of Culture, Athens 2002, ed. Efi Strouza
και 7 Performances and a conversation και μια συζήτηση, Locus Αthens, Futura 2005http://www.protoporia.gr/7-performances-and-a-conversation-kai-mia-syzitisi-p-281885.html
On the ocassion of Copenhagen Art Festival Overgaden presents a solo exhibition by the Greek artist Yorgos Sapountzis. Sapountzis creates a colourful total installation specifically for Overgaden’s exhibition spaces. Sapountzisexamines the political, ideological and cultural mechanisms that underlie the construction of public monuments, and especially our relationship with them today. By highlighting the monuments’ physical presence here and now, rather than the historical context in which they are embedded, he challenges the notion of a static collective memory. Yorgos Sapountzis is educated from the School of Fine Arts in Athens and the University of the Arts in Berlin. Recent solo exhibitions include Isabella Bortolozzi Galerie, Berlin, 2011, Simone Subal Gallery, New York, 2011, Ursula Blickle Foundation, Kraichtal, 2012 (current), and Westfälische Foundation, Münster (opening June 2012). Yorgos Sapountzis is based in Berlin.
http://vimeo.com/48589005
Έργα και performances σε δημόσιους χώρους από Galerie Isabella Bortolozzi, Berlin
στο http://www.freymondguth.com/YSapo.html
και άλλοι καλλιτέχνες (βλ.)
2. Επίσης: Michael Hardt, Affective Labour
http://www.jequ.org/files/affective-labor.pdf
3. Pascal Gielen, The Biennale: A Post-Institution for Immaterial Labourhttp://classic.skor.nl/4113/en/pascal-gielen-the-biennale-a-post-institution-for
4. TRAVAIL WORK, PARACHUTE 122, Abstracts(Ειδικότερα το κείμενο του Lazzarato)
http://www.parachute.ca/public/+100/122.htm
5. Maurizio Lazzarato The Misfortunes of the “Artistic Critique and of Cultural Employment, transversal [online journal], January 2007,
available at http://eipcp.net/transversal/0207/lazzarato/en
6. Α. Vidokle, Art without Work, e-flux journal #29, 2011
http://www.e-flux.com/journal/art-without-work/
7. Τα βιβλία των Paolo Virno, Η γραμματική του πλήθους,Αλεξάνδρεια, 2007
και Antonio Negri, Michael Hardt, Πλήθος, Αλεξάνδρεια, 2011
και Jacques Rancière, Ο μερισμός του αισθητού, Εκδόσεις του Εικοστού Πρώτου, 2012
και Μαρία Παπαδημητρίου, ΤΑΜA, Hellenic Ministry of Culture, Athens 2002, ed. Efi Strouza
και 7 Performances and a conversation και μια συζήτηση, Locus Αthens, Futura 2005http://www.protoporia.gr/7-performances-and-a-conversation-kai-mia-syzitisi-p-281885.html
Εκφώνηση_Ι
Στόχος
Επιτελεστικότητα και Αρχιτεκτονική/ Performativity and Architecture
Το μάθημα θα κινηθεί στα όρια του «διευρυμένου πεδίου» ανάμεσα στην αρχιτεκτονική και την επιτελεστικότητα (performativity), ή επιτέλεση (performance). Η ανάγκη αυτής της διερεύνησης προκύπτει από την εκτεταμένη επιστροφή διαφόρων μορφών επιτελέσεων (performances), αστικών δημόσιων δράσεων ή σωματικών και σχεσιακών παρεμβάσεων στις σύγχρονες καλλιτεχνικές πρακτικές και το ανανεωμένο ενδιαφέρον για την κοινωνική και πολιτική διάσταση της αρχιτεκτονικής.
Αντικείμενο
Στο πλαίσιο του μαθήματος κάθε φοιτητής θα επιλέξει ένα συγκεκριμένο χώρο στην περιοχή του Βόλου όπου θα επεξεργαστεί μια πράξη επιτέλεσης.
Θεματικές που θα εξεταστούν, μεταξύ άλλων είναι οι εξής:
-Οι νέες μορφές πολιτικής, αισθητικής και αρχιτεκτονικής αναπαράστασης
-Η πρόσφατη κοινωνική στροφή της αρχιτεκτονικής
-Η επιτελεστικότητα ως κριτική και υλική μορφή «δόμησης» αλλά και «αποδόμησης» του χώρου
-Οι σχέσεις ανάμεσα στη δημόσια σφαίρα, τη δημοσιότητα, τη διεκδίκηση των κοινών (commons) και τη θεατρικότητα
(βλ. κείμενα Jürgen Habermas, Richard Sennett, Καταστασιακοί,
GuyDebord, Giorgio Agamben, Jacques Rancière κ.ά)
-H παράδοση των τοποειδών έργων τέχνης (site-specificity), των καλλιτεχνικών πρακτικών κοινοτικής βάσης (community-based art) και οι νέες μορφές «θεσμικής κριτικής (Institutional Critique)
-Οι νέες εφήμερες μορφές τέχνης σε πραγματικό χρόνο (real time projects) και έργων τέχνης και αρχιτεκτονικής που βασίζονται σε επιτελέσεις (performance-based works)
Στα πλαίσια του μαθήματος θα εξεταστεί το έργο καλλιτεχνών και αρχιτεκτόνων όπως:
οι Vito Acconci, Gordon Matta-Clark, Michael Asher, Robert Smithson, Alan Kaprow,
Thomas Hirschhorn,Krzysztof Wodiczko, Santiago Sierra, Diller + Scofidio, Mark Dion, Atelier Van Lieshout,
Rirkrit Tiravanija, Andrés Jaque Arquitectos, Μαρία Καραβέλα, Στάθης Λογοθέτης,
Λήδα Παπακωνσταντίνου, Γεωργία Σαγρή, Μαίρη Ζυγούρη, Μαρία Παπαδημητρίου,
Ζήσης Κωτιώνης, Φοίβη Γιαννίση, Ζ. Ξαγοράρης, Αστικό Κενό,
Ομάδα Φιλοπάππου, PPC_T Farkadona, Δίκτυο Νομαδικής Αρχιτεκτονικής,
Άντερ Κονστράξιον, Kavecsprojects, Κίνηση Μαβίλη (Θέατρο Εμπρός) κ.ά.
Gordon Matta-Clark Splitting
Robert Smithson hotel palenque
Vito Acconci
IKEA Disobedients Andres Jaque Arquitectos
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