1. Yorgos Sapountzis, Deus ex Machina, Copenhagen Art Festival
On the ocassion of Copenhagen Art Festival Overgaden presents a solo exhibition by the Greek artist Yorgos Sapountzis. Sapountzis creates a colourful total installation specifically for Overgaden’s exhibition spaces. Sapountzisexamines the political, ideological and cultural mechanisms that underlie the construction of public monuments, and especially our relationship with them today. By highlighting the monuments’ physical presence here and now, rather than the historical context in which they are embedded, he challenges the notion of a static collective memory. Yorgos Sapountzis is educated from the School of Fine Arts in Athens and the University of the Arts in Berlin. Recent solo exhibitions include Isabella Bortolozzi Galerie, Berlin, 2011, Simone Subal Gallery, New York, 2011, Ursula Blickle Foundation, Kraichtal, 2012 (current), and Westfälische Foundation, Münster (opening June 2012). Yorgos Sapountzis is based in Berlin.
http://vimeo.com/48589005
Έργα και performances σε δημόσιους χώρους από Galerie Isabella Bortolozzi, Berlin
στο http://www.freymondguth.com/YSapo.html
και άλλοι καλλιτέχνες (βλ.)
2. Επίσης: Michael Hardt, Affective Labour
http://www.jequ.org/files/affective-labor.pdf
3. Pascal Gielen, The Biennale: A Post-Institution for Immaterial Labourhttp://classic.skor.nl/4113/en/pascal-gielen-the-biennale-a-post-institution-for
4. TRAVAIL WORK, PARACHUTE 122, Abstracts(Ειδικότερα το κείμενο του Lazzarato)
http://www.parachute.ca/public/+100/122.htm
5. Maurizio Lazzarato The Misfortunes of the “Artistic Critique and of Cultural Employment, transversal [online journal], January 2007,
available at http://eipcp.net/transversal/0207/lazzarato/en
6. Α. Vidokle, Art without Work, e-flux journal #29, 2011
http://www.e-flux.com/journal/art-without-work/
7. Τα βιβλία των Paolo Virno, Η γραμματική του πλήθους,Αλεξάνδρεια, 2007
και Antonio Negri, Michael Hardt, Πλήθος, Αλεξάνδρεια, 2011
και Jacques Rancière, Ο μερισμός του αισθητού, Εκδόσεις του Εικοστού Πρώτου, 2012
και Μαρία Παπαδημητρίου, ΤΑΜA, Hellenic Ministry of Culture, Athens 2002, ed. Efi Strouza
και 7 Performances and a conversation και μια συζήτηση, Locus Αthens, Futura 2005http://www.protoporia.gr/7-performances-and-a-conversation-kai-mia-syzitisi-p-281885.html
On the ocassion of Copenhagen Art Festival Overgaden presents a solo exhibition by the Greek artist Yorgos Sapountzis. Sapountzis creates a colourful total installation specifically for Overgaden’s exhibition spaces. Sapountzisexamines the political, ideological and cultural mechanisms that underlie the construction of public monuments, and especially our relationship with them today. By highlighting the monuments’ physical presence here and now, rather than the historical context in which they are embedded, he challenges the notion of a static collective memory. Yorgos Sapountzis is educated from the School of Fine Arts in Athens and the University of the Arts in Berlin. Recent solo exhibitions include Isabella Bortolozzi Galerie, Berlin, 2011, Simone Subal Gallery, New York, 2011, Ursula Blickle Foundation, Kraichtal, 2012 (current), and Westfälische Foundation, Münster (opening June 2012). Yorgos Sapountzis is based in Berlin.
http://vimeo.com/48589005
Έργα και performances σε δημόσιους χώρους από Galerie Isabella Bortolozzi, Berlin
στο http://www.freymondguth.com/YSapo.html
και άλλοι καλλιτέχνες (βλ.)
2. Επίσης: Michael Hardt, Affective Labour
http://www.jequ.org/files/affective-labor.pdf
3. Pascal Gielen, The Biennale: A Post-Institution for Immaterial Labourhttp://classic.skor.nl/4113/en/pascal-gielen-the-biennale-a-post-institution-for
4. TRAVAIL WORK, PARACHUTE 122, Abstracts(Ειδικότερα το κείμενο του Lazzarato)
http://www.parachute.ca/public/+100/122.htm
5. Maurizio Lazzarato The Misfortunes of the “Artistic Critique and of Cultural Employment, transversal [online journal], January 2007,
available at http://eipcp.net/transversal/0207/lazzarato/en
6. Α. Vidokle, Art without Work, e-flux journal #29, 2011
http://www.e-flux.com/journal/art-without-work/
7. Τα βιβλία των Paolo Virno, Η γραμματική του πλήθους,Αλεξάνδρεια, 2007
και Antonio Negri, Michael Hardt, Πλήθος, Αλεξάνδρεια, 2011
και Jacques Rancière, Ο μερισμός του αισθητού, Εκδόσεις του Εικοστού Πρώτου, 2012
και Μαρία Παπαδημητρίου, ΤΑΜA, Hellenic Ministry of Culture, Athens 2002, ed. Efi Strouza
και 7 Performances and a conversation και μια συζήτηση, Locus Αthens, Futura 2005http://www.protoporia.gr/7-performances-and-a-conversation-kai-mia-syzitisi-p-281885.html
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